Photography is NOT free

I’m no longer worried about the recession; I don’t even need to worry ever again about a lack of money or losing my job. I have a plan! I’m off out in a moment to Tesco’s petrol station to fill up my van with diesel. Yes, fuel is very expensive now, but not for me. You see I’m going to make them an offer. I’m going to suggest they let me have their diesel for free, on the basis that they can then enjoy the fact that it’s Tesco’s fuel in my van and not anyone else’s. And if that fails I’ll use my trump card: if simple pleasure is not sufficient an enticement to give me something for nothing, I shall offer to advertise Tesco’s for them. Yes for just a single tank of fuel I will be happy to put a Tesco’s sticker on the back of my van. It can’t fail – I’m on to a winner – I’ll never have to spend any money ever again, as pleasure or a bit of promotion is all anyone seems to want in return for a product or service – or so being a photographer is leading me to believe.

Yes, I had to purchase several thousand pounds worth of camera and lighting equipment. Yes I have running costs, and camera equipment doesn’t last forever. Yes I have a mortgage. And yes I also have to pay utility bills. But don’t worry; I don’t actually want to be paid to work. I just want to work for nothing, content in the knowledge that people are telling me I’m a good photographer, and that I’ll soon have a huge portfolio of work with which to advertise myself, in order to obtain more work people will be happy to pay me nothing for. It’s great – if I don’t earn anything I don’t have to pay any income tax, either. I’ll be rich!

Meanwhile, back on planet Earth…

Sorry to have to let you down, but I can’t actually afford to work for nothing. During my waking hours at least, the ‘barter in return for advertising’ plan doesn’t actually work. No-one is stupid enough to spend money on capital, wear it our using it for work, and then ask for nothing in payment. Well, no-one except photographers, that is.

Photographers – it would seem - are a unique bunch of people: talented, dedicated, hard-working and unimaginably naive. It goes something like this: “if I give away my product or service for nothing, it will act as a loss leader, helping people become aware of me in order for me to start getting paid work.”

There’s a flaw in that logic, and it is this. YOU ARE NOT ALONE. In fact you are not only not alone, but you are multitudinous, numerous, even – it might be said – common. Yep there’s a fair few of you out there, all gaily giving away their wares for free. And the recipients of all these free products and services are not stupid. They are simply never going to pay for something they can get for nothing. Don’t believe me? Well maybe you haven’t noticed just how difficult it’s becoming to get a photo in a magazine and actually get paid for it.

“But it’s only a photo, and it was for a competition!” Well it’s not ONLY A PHOTO actually. It’s YOUR photo. You made it and its worth something. (Well, unless you give it away for nothing.) Do you honestly imagine that the magazine is then going to start handing out copies for free, as it didn’t cost them anything to fill it up with brilliant, beautiful, free images? Nope – they are going to sell it as usual, and make a tidy profit. If you’re really lucky, though, they might send you a free copy in return for your photo, but the council won’t accept that in return for taking your rubbish away each week. Sorry, but you will still have to pay your council tax.

“But I’m just an amateur. I’m not trying to make a living from photography – it’s just nice seeing my work in print.” Well, good for you! Don’t lose any sleep over the fact that - in doing so - you are permanently under-cutting all those hard working pros who ARE trying to make a living out of photography. I would have thought that, as a photographer – even an amateur – you would care enough about the industry sufficiently to support those who rely on it for their livings. It would seem not though. You have a job – you can afford to give away your photos – so hard cheese if you’re actually trying to sell something, you say.

Well, what goes around comes around, and one day you may be the one trying to break into photography as a career, and coming time and time again against the brick wall of “yes we’d love you to do some work for us, but its not actually paid. It will look great in your portfolio though.”

See how you like it then.

So, why the rant? Well, of late I am receiving more and more of these crazy requests for unpaid work, and all the time no-one it’s offering to give me anything for nothing. Indeed all my running costs are all going up and up.

In response to one such generous offer, I even went so far as to agree to a freebie, with the proviso that it would be a one-off, and that any future work would require a modest payment. Their response? Shock and rudeness that I had the audacity even to suggest that I might need to be paid for something else in the future.

Enough is enough photographers. Please don’t do it. You work is worth exactly what you get for it, and if that’s nothing, then you alone have decided that it is valueless – and worse, you devalue everyone else’s work, too.

Mat Mackenzie B.Sc. (hons), Ph.D.
Photographer, Web Designer and Data Management Consultant

01303 770340
07967 964178
mat@matmackenzie.co.uk
www.matmackenzie.co.uk

Our new venture into Africa

This adage is something that Rays Of Africa will also be aspiring to. Your delight will be shared by us as our delight. This is something that no money can ever buy.

Passion

Peter and Steve are deeply passionate about delivering a high quality product and that this is to be delivered on time. They strive to delight their clients in 3 ways.-, i.e.
1. Quality
2. Value for money
3. Service

Energy is conductive and we believe in spreading it positively. As a Ray in Africa warms and lights an area far larger than itself, so we would wish to conduct ourselves.

What is relevant in a successful marketing campaign

It is our opinion that the successful marketing campaign in tourism should include information about these sectors i.e.

  1. Cities and towns of tourism importance
  2. Accommodation and cuisine offered
  3. Cultural aspects of the population
  4. The landscape and unique features
  5. Business opportunities (if relevant)
  6. Wildlife and Natural highlights
  7. Tourism focal points in the area
  8. Transport (how to get to, and around in the country)
  9. Climatic considerations
  10. Specific highlights you can offer your clients. (Once you have sold the destination, you need to sell your specific venture)

Creating a romanticised text description of your lodge is of equal importance but images are usually what stay in the mind of potential clients. The ideal is that the imagery haunts the prospective client and forces them to think and dream constantly and incessantly about what you will offer. The importance on the visual stimulation of their dream cannot be over-emphasized.

                                    A PICTURE CAN SPEAK A THOUSAND WORDS OR MORE

Obtaining the reality of the dream will then secure probable re-visits from the same clients, or at worst, some great word of mouth advertising to their circles of colleagues and friends. Importance should therefore attach to the integrity of the imagery in promotional material, but to show this at its best. Rays Of Africa can do this for you.

Equipment

Both Steve and Peter use upper end quality Canon cameras and lenses and Peter uses Hensel studio lighting, which is relatively portable. Both brands are synonymous with quality, and therefore deliver the type of quality which is to be expected from Rays Of Africa.

Use of social networks

Without beating around the bush (no pun intended), the value of a mere investment of time in good, well targeted, social media marketing can add volumes to marketing potential. This media is often regarded as insignificant as the target market is predominantly the youth. WRONG

Many Companies and business’ have realized the potential of this media and are extremely successful as a result. The youth of yesterday are still using this media and the mere mass of people reached by these media is mind blowing. It should be a vital component of media to be utilised. Not only is it cheap, but incredibly successful.

Rays Of Africa will assist you in this media and can help setup these campaigns and advise on how to maximise your benefit from these networks. Like sunrays, they penetrate markets which may have never been even considered.

In conclusion

Why not discuss your needs with us, we believe the profits will outweigh the reasonable cost tenfold or more.

We are extremely excited about the prospects of Rays Of Africa being an important cog in your marketing wheel.

Of interest to smaller lodges and operators is that you can join with other similar sized organisations in your area and as such, reduce the costs significantly as travel costs as well as generalised area photography can be shared. We will be happy to accommodate small groups of approximately 5 ventures in an area.

We trust that you will find our proposal sufficiently exciting to enable further enquiry in this regard.

Warmest regards

The team at Rays Of Africa

WE ARE ON Facebook

Steve Bailey
+27 82 5546296
SteveBaileyPhoto@r63.co.za
www.stevebailey.co.za

and

Peter Wickham
+27 33 3473369
Mobile - +27 796707356
wickham@telkomsa.net
www.proimpact.co.za

Rays of Africa Photography

Announcing Rays Of Africa, a fresh, innovative and creative pairing of experienced South African photographers, Steve Bailey and Peter Wickham, who recently teamed up as the official photographers for the 2011 Safari Awards.

Steve Bailey

www.pbase.com/mashona
&
www.stevebailey.co.za

Steve, an experienced wildlife and naturescapes photographer has been in the business for several years and is known for his passion for quality. Steve has a unique style making him an outstanding artist of our era. Post processing of his images is sought after in the art world and with Rays Of Africa, it is envisaged that his flair will add artistic punch to marketing campaigns. Steve has also developed a unique HDR treatment of internal and external photography of Lodges, Guest Houses, Hotels etc, one of his clients being PAM GOLDING Property

Steve also has had many years of experience in the printing industry, a vital asset to Rays Of Africa.

Peter Wickham

www.proimpact.co.za

Peter has experience in the commercial and portraiture sectors of the business. He has a natural flair for marketing and a good understanding and feel for trends in the market. As a photographer, Peter has had enormous success in marketing campaigns he has been involved with. He has been rewarded with international awards for portraits he has taken. With a talent for extracting the best out of people, and his understanding of light (and how to use it), he has produced some outstanding cultural images. Rays Of Africa will be making use of his commercial and marketing talents together with his ample skills with camera in hand.

Why Rays Of Africa

Both Peter and Steve are possessed by Africa’s soul and both incredibly passionate about Africa. As sunrays penetrate, illuminate and warm, so we intend penetrating into Africa, Illuminating it for the world to see and warming the communities with successful marketing campaigns which will introduce an influx of much needed investment and spending by tourism into regions.

Why the Partnership

Whilst both Steve and Peter are superb photographers in their own right, the dovetailing of specialist skills gives Rays Of Africa a distinct advantage of covering all marketing related imagery with specialisation rather than adequacy. This will relate to superb marketing campaigns rather than adequate ones.

In this time of tougher economic times, it is necessary, and vital, to maximise marketing opportunities and then turning these opportunities into clients. Once that objective is achieved it is also then necessary to deliver information about your partnered and associated concerns to not only extract maximum benefit from each client, but to give them a complete and memorable package. This is the time to seize the phrase - we don’t just satisfy our clients, we delight them.

This adage is something that Rays Of Africa will also be aspiring to. Your delight will be shared by us as our delight. This is something that no money can ever buy.

Passion

Peter and Steve are deeply passionate about delivering a high quality product and that this is to be delivered on time. They strive to delight their clients in 3 ways.-, i.e.
1. Quality
2. Value for money
3. Service

Energy is conductive and we believe in spreading it positively. As a Ray in Africa warms and lights an area far larger than itself, so we would wish to conduct ourselves.

What is relevant in a successful marketing campaign

It is our opinion that the successful marketing campaign in tourism should include information about these sectors i.e.

  1. Cities and towns of tourism importance
  2. Accommodation and cuisine offered
  3. Cultural aspects of the population
  4. The landscape and unique features
  5. Business opportunities (if relevant)
  6. Wildlife and Natural highlights
  7. Tourism focal points in the area
  8. Transport (how to get to, and around in the country)
  9. Climatic considerations
  10. Specific highlights you can offer your clients. (Once you have sold the destination, you need to sell your specific venture)

Creating a romanticised text description of your lodge is of equal importance but images are usually what stay in the mind of potential clients. The ideal is that the imagery haunts the prospective client and forces them to think and dream constantly and incessantly about what you will offer. The importance on the visual stimulation of their dream cannot be over-emphasized.

                A PICTURE CAN SPEAK A THOUSAND WORDS OR MORE

Obtaining the reality of the dream will then secure probable re-visits from the same clients, or at worst, some great word of mouth advertising to their circles of colleagues and friends. Importance should therefore attach to the integrity of the imagery in promotional material, but to show this at its best. Rays Of Africa can do this for you.

Equipment

Both Steve and Peter use upper end quality Canon cameras and lenses and Peter uses Hensel studio lighting, which is relatively portable. Both brands are synonymous with quality, and therefore deliver the type of quality which is to be expected from Rays Of Africa.

Use of social networks

Without beating around the bush (no pun intended), the value of a mere investment of time in good, well targeted, social media marketing can add volumes to marketing potential. This media is often regarded as insignificant as the target market is predominantly the youth. WRONG

Many Companies and business’ have realized the potential of this media and are extremely successful as a result. The youth of yesterday are still using this media and the mere mass of people reached by these media is mind blowing. It should be a vital component of media to be utilised. Not only is it cheap, but incredibly successful.

Rays Of Africa will assist you in this media and can help setup these campaigns and advise on how to maximise your benefit from these networks. Like sunrays, they penetrate markets which may have never been even considered.

In conclusion

Why not discuss your needs with us, we believe the profits will outweigh the reasonable cost tenfold or more.

We are extremely excited about the prospects of Rays Of Africa being an important cog in your marketing wheel.

Of interest to smaller lodges and operators is that you can join with other similar sized organisations in your area and as such, reduce the costs significantly as travel costs as well as generalised area photography can be shared. We will be happy to accommodate small groups of approximately 5 ventures in an area.

We trust that you will find our proposal sufficiently exciting to enable further enquiry in this regard.

Warmest regards

The team at Rays Of Africa

WE ARE ON Facebook

Steve Bailey
+27 82 5546296
SteveBaileyPhoto@r63.co.za
www.stevebailey.co.za

and

Peter Wickham
+27 33 3473369
Mobile - +27 796707356
wickham@telkomsa.net
www.proimpact.co.za

Official photographers to the 2011 Safari Awards

The 2011 Safari Awards - Official Photographers

Steve Bailey Photography assisted by Pro Impact Production’s Peter Wickham were the official photographers for the 2011 Safari Awards Gala Dinner

The Safari Awards Gala Ceremony was held at Moyo, Durban, on 6th May. The awards winners can be seen at:
http://www.safariawards.com/winners11

Zambia emerges a strong player in the safari sector with Chiawa, winning Best Safari Lodge in Africa, finally recognized as a great safari camp by the votes of over 340 safari specialist tour operators from around the world. Robin & Jo Pope’s work was recognized with the presentation of the Best Personal Contribution to Safari Tourism in Africa Award and Chongwe Safari House scooping the Best Safari House in Africa Award.

Mozambique is emerging as the safari destination of the future. Vamizi retained the Best Beach Property in Africa Award, Explorers Gorongosa claiming two awards - Best New Safari Property in Africa and Best Ecological Safari Property in Africa. Londo Lodge, a previous runner-up in the Best Safari Cuisine Awards category, won the award.

Kenya, showed they lead Africa in integrating communities into safari tourism with Rekero winning the Best Safari Guiding Team in Africa Award and Lewa Safari Camp being recognized for their community commitment winning the Best Community Safari Property in Africa Award. Tanzania’s Beho Beho, Gibbs Farm and Nomad Mobile Safaris demonstrated their countries diversity as a safari destination scooping Best Safari Property in Eastern Africa, Best Safari Hotel in Africa and Best Mobile Safari Operator in Africa awards.

South Africa was represented in a spread of sectors with Ant’s Nest Riding Safaris won Best Riding Safari Operator in Africa Award, South Africa Airways voted Best International Airline to Africa and Karkloof Spa retaining the coveted Best Safari Spa Property in Africa award. Great Plains emerged Best Safari Accommodation Group in Africa. Colin Bell, who could accept his Best Personal Contribution to Wildlife Conservation in Africa Award personally, reflected the safari world’s sentiments with his moving words acknowledging those on the front lime of conserving our wildlife.

The Best Wildlife/Charity Organisation in Africa Award, rewarding these organisations enabling tourism through their conservation activities, was won by The Africat Foundation in Namibia recognizing the years of dedicated work with Cheetah conservation.

Voting in now open for the 2012 Safari awards at http://www.safariawards.com/vote and further information on how to get involved is available from http://www.safariawards.com

Henry Hallward & Rosanne Cobb, founders The Safari Awards and The Good Safari Guide, would like to thank the Safari Awards Judges (http://www.safariawards.com/judges) and the 2011 Awards Media & Awards Sponsors (http://www.safariawards.com/partners) for their commitment to recognising the leaders of Africa’s safari industry.

The Home of Thomas Pringle

Yesterday I traveled up the Baviaans River Valley to visit and take photographs of the home of Thomas Pringle, the famous 1820 Settler to the region.
His grave is situated in the Pringle Family Church at Eildon

This Photograph inside the church showing the headstone
The headstone is inscribed

Almost impossible to read via the photograph of the stone, there is a brass plaque above the grave

The Church situated on the Pringle Farm Eildon is a beautiful monument to Thomas Pringle


The area is renowned for its beauty, this photograph taken in the Baviaans Valley about ten kilometers South of the family farm

Some background to Thomas Pringle

The Pringles sailed for 75 days, then traveled inland for another month before arriving at their new home in Glen Lynden, located in the upper valley of South Africa’s Baavians River. The location proved to be a good choice, as colonists who settled closer to the coast experienced difficult weather conditions that proved disastrous for farming.

It took two years for Pringle, his father, and the rest of the family to establish the family homestead, which eventually comprised 20,000 acres of land. As he had done prior to the family’s traveling to South Africa, Pringle served as the family spokesperson and conferred with government and military officials. His influence helped the family succeed in South Africa whereas many other immigrants did not. After his family was settled Pringle himself moved to Cape Town, where he worked in the newly created South African Public Library and pursued his writing career.

To supplement his small income from the library, the enterprising Pringle opened a school with a friend from Scotland, John Fairbairn. In 1823 he also started a newspaper, the South African Journal, and a magazine, the South African Commercial Advertiser, in which he and his staff published editorials advocating reforms of the British colonial system. After both publications were censored by the government Pringle resigned. After his reformist views also led to the failure of his academy, he resigned from the library and in 1824 returned to his family’s settlement. For the rest of his time in South Africa Pringle continued to fight for freedom of the press and improvement in the position of the native people.

Most of the poetry and prose Pringle published while living in South Africa deals with local matters. It contains images of the land and its native people and is imbued with its author’s passion for promoting independence and spreading Christianity. Published in 1824, Pringle’s Some Account of the Present State of the English Settlers in Albany, South Africa describes the landscape, the housing, and the experiences Scots settlers encountered in South Africa. Unlike the Pringle family, many settlers did not find life to be that which they had been promised. Their crops failed and inclement weather destroyed most of what they had. Pringle concluded that, despite all, Scots immigrants should remain in South Africa, and he began efforts to appeal to Britain for humanitarian aid.

Ultimately, the harsh conditions in South Africa took their toll, and the idealistic Pringle and his wife were forced to leave his father and returned to London in 1826, financially ruined. A recently published article about slavery in South Africa had attracted the attention of the British Anti-Slavery Society, which now offered Pringle a job as secretary. The job suited Pringle perfectly: his craving for independence extended to blacks as well as Scots, and he had firsthand knowledge of the conditions of Native Africans. He worked with noted abolitionists William Wilberforce, Thomas Clarkson, Zachary Macaulay, and Sir Foxwell Buxton, his anti-slavery writings earning him recognition around the world.

Pringle earned a modest living through the Society that he supplemented by working as editor of an annual literary publication. He continued to write poetry based on his South African experiences and in 1828 published Ephemerides; or, Occasional Poems, written in Scotland and South Africa. The South African poems in particular proved very popular, placing him in the ranks of Britain’s favorite poets shared by William Wordsworth, Samuel Taylor Coleridge, George Byron, Percy Shelley, and John Keats.

As the first poet from South Africa to write in English, Pringle had a captive audience that consumed everything he wrote, including his 1834 work Narrative of a Residence in South Africa. A travel adventure about the land, animals, and the native people of South Africa, Narrative of a Residence in South Africa is considered his greatest work. It stands out because it was written from the perspective of a man who, although a native Scot, considered South Africa to be his homeland. Traveling to places where few non-Africans visited, Pringle shared his observations with his readers, along with his love for the land and its people.